[ Download Best ] Writing in Light: The Silent Scenario and the Japanese Pure Film Movement (Contemporary Approaches to Film and Media Series) (English Edition) Author Joanne Bernardi – Andy-palmer.co.uk


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  • Writing in Light: The Silent Scenario and the Japanese Pure Film Movement (Contemporary Approaches to Film and Media Series) (English Edition)
  • Joanne Bernardi
  • Inglés
  • 28 May 2019

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Writing in Light: The Silent Scenario and the Japanese Pure Film Movement (Contemporary Approaches to Film and Media Series) (English Edition)While most people associate Japanese film with modern directors like Akira Kurosawa, Japans cinema has a rich tradition going back to the silent era Japans pure film movement of the s is widely held to mark the birth of film theory as we know it and is a touchstone for historians of early cinema Yet this work has been difficult to access because so few prints have been preserved Joanne Bernardi offers the first book length study of this important era, recovering a body of lost film and establishing its significance in the development of Japanese cinema Building on a wealth of original language sourcesmuch of it translated here for the first timeshe examines how the movement challenged the industrys dependence on pre existing stage repertories, preference for lecturers of intertitles, and the use of female impersonatorsBernardi provides in depth analysis of key scriptsThe Glory of Life, A Fathers Tears, Amateur Club, and The Lust of the White Serpentand includes translations in an appendix These films offer case studies for understanding the craft of screenwriting during the silent era and shed light on such issues as genre, authorship and control, and gender representationWriting in Light helps fill important gaps in the history of Japanese silent cinema By identifying points at which pure film discourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians


About the Author: Joanne Bernardi

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