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  • The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth
  • Alejandro Georgetown University Yarza
  • Inglés
  • 25 August 2019
  • 0748699244

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The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth In fascist Spain, Francoism like German and Italian fascism produced its own particular brand of kitsch Deploying religious and historical iconography drawn from Spain s centuries long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain s historical past designed to replacecomplex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clich d image of Spain The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema It examines five highly influential Francoist films produced fromuntiland three later films by critically acclaimed directors Luis Bu uel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re imagining its visual and narrative clich s


About the Author: Alejandro Georgetown University Yarza

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