[[ read online Best ]] Teen Movie Hell: A Crucible of Coming-of-Age Comedies From Animal House to Zapped! Author Mike McPadden – Andy-palmer.co.uk

Teen Movie Hell: A Crucible of Coming-of-Age Comedies From Animal House to Zapped! Born in the drive in theater backseats of the 1970s, the demonic visions of Teen Movie Hell fueled the VCR, cable TV, and shopping mall multiplex booms of the 1980s before collapsing in the 1990s in a pixelated pile of cable dissipation and Internet indulgences Between George Lucas s American Graffiti in 1973 and Richard Linklater s Dazed and Confused twenty years later, lust driven laugh riots on the order of Animal House, Porky s, Fast Times at Ridgemont High, and Revenge of the Nerds boomed at the box office and conquered pop culture by celebrating adolescent misbehavior run amok.Puberty powered comedy classics including Meatballs, Caddyshack, Valley Girl, and The Last American Virgin fused hormonal overloads with anti authority abandon and below the belt slapstick to create a genre that also unleashed the anarchic, sex mad likes of The Swinging Cheerleaders, H.O.T.S., Hardbodies, Private School, Joysticks, Spring Break, and Zapped as well as the mainstream variations Sixteen Candles, The Breakfast Club, Ferris Bueller s Day Off, and Pretty in Pink.All seeing author Mike McBeardo McPadden Heavy Metal Movies passes righteous judgment over the entire genre, one boobs and boner opus at a time Inthan 350 reviews and sidebars, Teen Movie Hell lays the crucible of coming of age comedies bare, from party hearty farces such as The Pom Pom Girls, Up the Creek, and Fraternity Vacation to the extreme insanity exploding all over King Frat, Screwballs, The Party Animal, and Surf II The End of the Trilogy.Tap the keg, tailor your toga, and belly flop hard into the exploitation inferno of bikinis beaches, locker rooms, summer camps, study halls, wayward teachers, cool camp counselors, wet T shirts, custom vans, sexy ESP, shower peepholes, and other overlooked penal code violations

4 thoughts on “Teen Movie Hell: A Crucible of Coming-of-Age Comedies From Animal House to Zapped!

  1. says:

    I picked this up because a friend of mine wanted to read it together, so I knew nothing about the author except that he evidently shares my love of teen movies From the start, I felt like this book was not written with someone like me in mind Some context I m a Xennial white woman, politically very liberal, who at once occasionally feels rebuffed at emergent standards of conduct and speech but also acknowledges that these new norms have resulted in a respectful and inclusive world, which is wonderful Out of the gate, the author starts in on stereotypes applied to an entire generation, wholesale dismissal of so called social justice warriors, and a total defensive posture about the ways in which women in particular are treated and portrayed in the genre He argues that in many teen sex romps of the 70s and 80s, women and girls were for the first time to some degree in charge of their sexuality In the second introduction , we re introduced to frequent voice of the ladies contributor, Wendy McClure, whose perspective I find way relatable She writes an out of place essay on how progressive Fast Times at Ridgemont High was for its time and actually any time and she s right Not only do girls actively pursue the common goal of getting laid, but also portrays abortion as the medical procedure it is, and is directed by a woman All of this is true but also really exceptional for the time That it s just plopped in after the defensive introduction I wasn t even mad yet written by the primary author makes it seem like it was stuck in to preemptively calm the likes of myself down.As I said, I kind of get it I still enjoy Revenge of the Nerds while others can t get past being mortified about some fairly mortifying themes I do agree that movies should be appreciated in the context of their time to a degree But the tone set early on is prominent throughout the book.I d be sympathetic to the author s perspective if not for his irrational hatred of John Hughes Though I like them, I can see how Hughes movies are pretty much the most basic of the genre But in part the reason the author states for hating them so much is that the protagonists are across the board rich kids I haven t gotten to Pretty In Pink yet, so I m not sure how he responded to the break in the formula there I see it And I can see how it kind of flies in the face of what Animal House worked so hard to build, essentially that teen movies should favor the underdog But if you re going to take such umbrage with critiques of movies from another era portraying rapey behavior for example as normal, hilarious, or pro social, maybe Ferris Bueller isn t the unrelatable monster the author seems to think he is It s not just women He references the presence of LPs as dwarves and cites it as a theme He describes his response to use of racial epithets in one example as giddy My friend Wendy McClure drops back in to summarize the odd movie in which protagonists are girls Foxes is one of my favorites of the genre and I was curious as to how the primary author would handle it and he didn t He outsourced it and others Not sure why It again makes me feel like the intended audience is heterosexual, cis men 10 years older than me.On the upside, I like the book as a reference tool I ve flagged a ton of entries about movies I plan to check out I m captivated at how many films with amazing casts are all but forgotten I love the visual aids where reproductions of movie posters for a sense of context, particularly with the movies I ve never seen The encyclopedic knowledge of so many movies the author has is really impressive I m not wild about the choice to order the movies alphabetically It s interesting, as a semi random presentation but I sort of wish he d done it chronologically to paint a story of the rise and fall of the genre and also so that I didn t have to read umpteen Meatballs related summaries in a row.I know this is long My friend never got around to reading it and I had to unload somewhere about the missed potential for a reader like me.

  2. says:

    I wanted so badly to love this book, but I ended up irritated and viscerally angered because it was an endless lecture from a newly woke fifty something re evaluating films that were meant as escapist entertainment and nothing Suddenly, I m shamed because I loved Sixteen Candles or Revenge of the Nerds, as real world implications are now imposed on innocuous comedies comedies that were by design adolescent male fantasies or ridiculously exaggerated teen chaos It was a chore to read and depressing in its insistence on taking films to task for non existent transgressions Suddenly, The Geek date rapes Caroline or Robert Carradine s nerd sexually assaults and exacts revenge porn on a girl Actions in the films are absurdly re assessed, ignoring context and time period, as well as the fact that THEY RE MOVIES Not to mention the author s class resentment that bubbles up every time a movie focuses on overprivileged elitist suburban teens John Hughes oeuvre in particular is subjected to the author s relentlessly dismissive opprobrium Hughes films are judged mostly on milieu upper middle class suburbia rather than on the stories or characters And aren t movies aspirational on some level Interestingly, the author doesn t acknowledge the parental corporal punishment as punchline or homophobia rampant in House Party a movie I love rather, it s spared an honest critical assessment because of what I assume is a concern for appearing un PC I was hoping this book would review the movies with affection, even with a jaundiced eye and was heartened by a female penned defense of Animal House that opens the book but alas, that was not to be The book was a deep disappointment.

  3. says:

    A book on the sub genre of teen sex comedies is something I have been eagerly awaiting for over a decade I can t think of anyone better to have put it together than Mike McPadden I thought I had seen a large amount of films that fall under this category but Mike has demonstrated that most of us have probably only scratched the surface I have considerable detective work ahead trying to track down several films that I had never heard of until Mike provided reviews for them in this book Props have to be given to Kat Ellinger for her chapter on the importance of context regarding the era in which these films were released Even props have to be given to Mike for releasing this during the post metoo era and doing it in such a way that few feathers should be ruffled by it I can t recommend this enough If you re just a casual fan of films like Animal House, Porky s or Revenge of the Nerds a lover of cult fims or just someone who likes to read about the various niche genres of film then you ll find something to enjoy here.

  4. says:

    Having grown up smack dab in the middle of the Teen Sex Comedy zenith point helped along mostly by cable TV , I was intrigued and then quickly delighted with this new book from Mike McPadden A worthy follow up to his previous book, HEAVY METAL MOVIES, the real surprise of TEEN MOVIE HELL is not only the sheer volume of movies that were made it s also the amount of craft and creativity and care that was put into these seemingly forgettable sex romps Who would have guessed how much sweetness and all around good will resides at the heart of FRIDAY THE 13th director Sean S Cunningham s 1983 flick, SPRING BREAK I, for one, was pleasantly surprised by that notion If you recognize that the late 70s and 80s have by now become the new nostalgia, then this book will surely speak to you and don t call me surely Shirley Kudos to McPadden for bringing together a book of film culture reassessment that speaks to the right now of it all

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